How Is Dramatic Tension Created in the Trial Scene of the...

How does Shakespeare create dramatic interest for the audience in the trial scene, Act 4 scene 1 in ‘The Merchant of Venice? In the trial scene (act 4 scene 1), Shakespeare uses many different dramatic techniques to make the tension in the court room rise and build. He also uses dramatic irony and many other techniques to engage an audience in this particular scene in the play. These techniques would work have worked on an Elizabethan audience or a modern day audience. Although, these two eras do not share the same views on some of the things Shakespeare wrote about, the same mood and ideas are given across through Shakespeares use of dramatic techniques. The previous knowledge which the audience holds about the previous acts and†¦show more content†¦The audiences tension and general interest in the scene would have built up because they are now beginning to understand just how much Shylock wants Antonios flesh. The idea of him being determined to receive the pound of flesh is repeated over and over so that the audience understands Shylocks stubbornness and his determination. The dramatic tension continues building when Portia or ‘Balthazar enters the court. Balthazar is the doctor who can save Antonio from Shylocks bond. The tension rises as the audience wonder if she will be recognised by her husband, Bassanio. Because Venice is a male dominated society, Portia and Nerissa had to dress as males to enter and to be accepted into the society. In order to leave Venice, Jessica (Shylocks daughter) also had to dress as a male. This shows that women are not accepted into the society and to gain any respect around the men, they too have to become males. This is interesting and creates dramatic interest in the scene because it would be interesting for the audience to see if Portia can save Antonios life and outsmart Shylock at the same time. The audience will be interested in the scene because they will wonder if the women will get away with tricking their husbands and if Antonio or Gratiano realise that they are in fact their wives. Portia holds some of the qualities of a man (quick thinking, intelligence and wit), and this is interesting to the audience as they can see her act as a manShow MoreRelatedThe Trial Scene in The Merchant of Venice Essay1010 Words   |  5 PagesThe Trial Scene in The Merchant of Venice Written between 1596 and 1598 The Merchant of Venice is not one of the most performed plays written by William Shakespeare. The play is classed as one of the sixteen comedy plays and most productions often use modern times and dress. It was performed in front of an audience who were not very well educated but the issues being raised in the play would have been understood. A modern day audience would be less sympathetic thanRead MoreThe Merchant of Venice by William Shakespeare Essay examples2198 Words   |  9 PagesThe Merchant of Venice by William Shakespeare The Merchant of Venice by William Shakespeare was written between 1594-1596.It is classified as a comedy; it is also a work of good triumphs over evil, but serious themes are examined and some issues remain unresolved. In the play Shakespeare has woven together plots from different books. Shakespeare gets the bond storyRead MoreShylock as the Villain in William Shakespeares The Merchant of Venice1948 Words   |  8 PagesShylock as the Villain in William Shakespeares The Merchant of Venice William Shakespeare wrote The Merchant of Venice in about 1597. It was first performed by The Chamberlains Men at the Theatre Shoreditch. The Merchant of Venice was in the repertory of Shakespeares company before they took up residence at the Globe in 1599. The play was written as a comedy, but has become a serious drama. In order to answer the question it is vital to look at the pervading Read MoreShylock: Villain or Victim6154 Words   |  25 Pagesmonkeys. He wants revenge: Perhaps it is the loss of Jessica as well as all the harsh treatment he has suffered from Antonio - and others - over the years that makes him bitter enough to ask for Antonios pound of flesh. He cleverly argues in Act III, scene 1 that he is as much a man as a Christian is and so will follow the example the Christians set by seeking revenge. The villainy you teach me I will execute. He is thrilled to hear that another of Antonios ships is lost, making Antonio more vulnerableRead MoreMacbeth9435 Words   |  38 PagesWitches decide that their next meeting shall be with Macbeth. In the following scene, a wounded sergeant reports to King Duncan of Scotland that his generals—Macbeth, who is the Thane of Glamis, and Banquo—have just defeated the allied forces of Norway and Ireland, who were led by the traitorous Macdonwald and the Thane of Cawdor. Macbeth, the King s kinsman, is praised for his bravery and fighting prowess. In the following scene, Macbeth and Banquo discuss the weather and their victory. As they wanderRead MoreLangston Hughes Research Paper25309 Words   |  102 Pagesfluent in Spanish and read books by Spanish authors. To escape total dependence on his father, he began teaching English to home-schooled children of well-to-do Mexicans. He taught English at a private girls school and also at a business college. Tension between Langston and his father eased somewhat until the two of them journeyed by horseback to Jims ranch. As they rode along, Jim revealed his plan to send Langston to a university in Europe where he could study mining engineering and return to

Effects Of Prison Sentence And Reintegration - 964 Words

Effects of a Prison Sentence and Reintegration Ex-offenders need help with integration into society, bottom line, they are still part of society. Without proper support ex-offenders risk re-offending which becomes a burden to society as a whole. Providing proper support for housing, education and employment may decrease the rate of re-incarceration. Incorporating ways to include education can avoid re-arrest and re-incarceration after release, ex-offenders can and will experience less recidivism growth in its society. The probability of criminal recidivism is shown to decline over time (Custer, 2013). The decline in recidivism can take place if ex-offenders are given a chance for higher education through admissions. Custer (2013) shows in a completed case study, which was meant to rebuke the way admission offices treat students who may need higher education, especially ex-offenders. Having a strong support system would include admission offices being less stringent to ex-offenders and be given the right to a higher education. One candidate, who I will call â€Å"Susan,† had an especially troublesome involvement with this procedure and eventually pulled back her application. (Custer, 2013). Ex-offenders face many challenges with the approach to obtaining a higher education and avoiding recidivism. â€Å"Those with the highest education were more likely to employ with higher wages and less recidivism (Fabelo, 2002 p.106). Reevaluating the admission process,Show MoreRelatedCorrections944 Words   |  4 PagesWhat is the mission of corrections? To protect society accomplished through a combination of surveillance and control of offenders, rehabilitative services, and incapacitation during the services of a prison sentence. 3. Describe the operation of the Walnut Street Jail as the first American prison. 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Gullivers travels Essay Example For Students

Gullivers travels Essay Gulliver makes no comment or criticism of the Houyhnhnms actions, but only praises them on education and reason. Despite these praises, we later discover their lack of knowledge outside their own country and lifestyle, For, as he had no conception of any country besides his own, so he could not be expert in distinguishing remote objects at sea, as we who so much converse in that element. 8 Here we see a critical conception of the Houyhnhnms and a self-involved, almost arrogant nature, again Swift hints at other human failings, but Gulliver simply dismisses them as quirks of this race. Now, the first important question to ask of any satirist is how he or she achieves the necessary comic distortion, which transforms the familiar into the ridiculous. And Swift’s main technique for achieving thisand a wonderful technique for satireis the basic plot of science fiction: the voyage by an average civilized human being into unknown territory and his return back home. This apparently simple plot immediately opens all sorts of satiric possibilities, because it enables the writer constantly to play off three different perspectives in order to give us the reader a comic sense of what is very familiar. It can do this in the following ways:If the strange new country is recognizably similar to our culture, then comic distortions in the New World enable the writer to satirize the familiar in a host of different ways, providing, in effect, a cartoon style view of our world. If the strange new country is some sort of utopiaa perfectly realized vision of the ideals often procl aimed but generally violated in our worldthen the satirist can manipulate the discrepancy between the ideal New World of the fiction and the corrupt world we live in to illustrate repeatedly just how empty the pretensions to goodness really are in our world. However, the key to this technique is generally the use of the traveler, the figure who is, in effect, the reader’s contemporary and fellow countryman. How that figure reacts to the New World can be a constant source of amusement and pointed satiric comment, because, in effect, this figure represents the contact between the normal world and the strange New World of either caricatured ridiculousness or utopian perfection. We can see Swift moving back and forth between the first two techniques, and this can create some confusion. For example, in much of Book I, Lilliput is clearly a comic distortion of life in Europe. The sections on the public rewards of leaping and creeping or the endless disputes about whether one should eat one’s eggs by breaking them at the bigger or the smaller end or the absurdity of the royal proclamations are obvious and funny distortions of the court life, the pompous pretentiousness of officials, and the religious disputes familiar to Swift’s readers. At the same time, however, there are passages where he holds up the laws of Lilliput as some form of utopian ideal, in order to demonstrate just how much better they understand true reasonableness than do the Europeans. In book II, he does the same: for most of the time the people of Brobdingnag are again caricatured distorted Europeans, but clearly, the King of Brobdingnag is an ideal figure. Difference of psychopath and psychotic EssayIn the first three books of the Travels, Swift has exposed satiric ridicule to the institutions, the customs, the beliefs, and the behavior of man. In Book IV, however, he turns his attention to human nature itself. He seeks to discover what might be called a definition of man; a definition that will account for the apparent mess man has managed to make of his life and his world. Swift therefore places Gulliver (an ordinary mortal) directly between the figures of impossible perfection, the Houyhnhnms, and the figures of impossible degradation, the Yahoos. Gulliver is shaken to the core of his being when he suddenly sees, in the Yahoos, the terrible sight of man as animal. The Yahoos are images of what man would become were he totally devoid of reason and completely removed from civilization: they are images of the animal potential in man. The fact is, however, that man is neither Yahoo nor Houyhnhnm; he is an imperfect creature who, nevertheless, has the power to live a decent life if only he will recognize how limited he is. Swift presents us with figures like Count Munodi and Captain Mendez who are decent, compassionate, wise and humble men who have become aware of their capabilities only by recognizing their limitations. Without pride, these figures live the kind of good life attainable by humanity. Gulliver, however, goes mad when he realizes that man is incapable of absolute perfection. Unable to come to terms with his limited capabilities, he thus commits the sin of pride as he is in the very process of condemning man for being proud. Ironically, Gulliver’s madness†¦his own pride†¦proves how imperfect a creature man is. The tragedy is that, in the name of perfection, Gulliver misses the opportunity to achieve whatever goodness is in his power to attain. Book IV of Gulliver’s Travels is the most famous and most powerful protest against this modern project. The severity of his anger is, I think, a symptom of the extent to which he realized the battle was already being lost. To us, however, over two hundred years later, Swift’s point is perhaps more vividly relevant than many of his contemporaries.

Gullivers travels Essay Example For Students

Gullivers travels Essay Gulliver makes no comment or criticism of the Houyhnhnms actions, but only praises them on education and reason. Despite these praises, we later discover their lack of knowledge outside their own country and lifestyle, For, as he had no conception of any country besides his own, so he could not be expert in distinguishing remote objects at sea, as we who so much converse in that element. 8 Here we see a critical conception of the Houyhnhnms and a self-involved, almost arrogant nature, again Swift hints at other human failings, but Gulliver simply dismisses them as quirks of this race. Now, the first important question to ask of any satirist is how he or she achieves the necessary comic distortion, which transforms the familiar into the ridiculous. And Swift’s main technique for achieving thisand a wonderful technique for satireis the basic plot of science fiction: the voyage by an average civilized human being into unknown territory and his return back home. This apparently simple plot immediately opens all sorts of satiric possibilities, because it enables the writer constantly to play off three different perspectives in order to give us the reader a comic sense of what is very familiar. It can do this in the following ways:If the strange new country is recognizably similar to our culture, then comic distortions in the New World enable the writer to satirize the familiar in a host of different ways, providing, in effect, a cartoon style view of our world. If the strange new country is some sort of utopiaa perfectly realized vision of the ideals often procl aimed but generally violated in our worldthen the satirist can manipulate the discrepancy between the ideal New World of the fiction and the corrupt world we live in to illustrate repeatedly just how empty the pretensions to goodness really are in our world. However, the key to this technique is generally the use of the traveler, the figure who is, in effect, the reader’s contemporary and fellow countryman. How that figure reacts to the New World can be a constant source of amusement and pointed satiric comment, because, in effect, this figure represents the contact between the normal world and the strange New World of either caricatured ridiculousness or utopian perfection. We can see Swift moving back and forth between the first two techniques, and this can create some confusion. For example, in much of Book I, Lilliput is clearly a comic distortion of life in Europe. The sections on the public rewards of leaping and creeping or the endless disputes about whether one should eat one’s eggs by breaking them at the bigger or the smaller end or the absurdity of the royal proclamations are obvious and funny distortions of the court life, the pompous pretentiousness of officials, and the religious disputes familiar to Swift’s readers. At the same time, however, there are passages where he holds up the laws of Lilliput as some form of utopian ideal, in order to demonstrate just how much better they understand true reasonableness than do the Europeans. In book II, he does the same: for most of the time the people of Brobdingnag are again caricatured distorted Europeans, but clearly, the King of Brobdingnag is an ideal figure. Difference of psychopath and psychotic EssayIn the first three books of the Travels, Swift has exposed satiric ridicule to the institutions, the customs, the beliefs, and the behavior of man. In Book IV, however, he turns his attention to human nature itself. He seeks to discover what might be called a definition of man; a definition that will account for the apparent mess man has managed to make of his life and his world. Swift therefore places Gulliver (an ordinary mortal) directly between the figures of impossible perfection, the Houyhnhnms, and the figures of impossible degradation, the Yahoos. Gulliver is shaken to the core of his being when he suddenly sees, in the Yahoos, the terrible sight of man as animal. The Yahoos are images of what man would become were he totally devoid of reason and completely removed from civilization: they are images of the animal potential in man. The fact is, however, that man is neither Yahoo nor Houyhnhnm; he is an imperfect creature who, nevertheless, has the power to live a decent life if only he will recognize how limited he is. Swift presents us with figures like Count Munodi and Captain Mendez who are decent, compassionate, wise and humble men who have become aware of their capabilities only by recognizing their limitations. Without pride, these figures live the kind of good life attainable by humanity. Gulliver, however, goes mad when he realizes that man is incapable of absolute perfection. Unable to come to terms with his limited capabilities, he thus commits the sin of pride as he is in the very process of condemning man for being proud. Ironically, Gulliver’s madness†¦his own pride†¦proves how imperfect a creature man is. The tragedy is that, in the name of perfection, Gulliver misses the opportunity to achieve whatever goodness is in his power to attain. Book IV of Gulliver’s Travels is the most famous and most powerful protest against this modern project. The severity of his anger is, I think, a symptom of the extent to which he realized the battle was already being lost. To us, however, over two hundred years later, Swift’s point is perhaps more vividly relevant than many of his contemporaries.

Some Useful Tips on Library Research Papers Format

Library research papers are one of the possible assignments students can get. In order to create good library research papers, it is necessary to decide on a course of an investigation. If you deal with writing library research papers, you should know about the format to follow. As all academic writing papers, library research papers have their certain structure and peculiarities. In order to present perfect library research papers, you should know about each part of this work (or simply visit our homepage here and our experts will help you with any type of assignment). Library Research Paper: Title Page The title of library research papers should be capitalized, centralized and placed on the first line. Under the title the name of the author takes place. Also, you should not forget about the date. Library Research Papers: Abstract The abstract of library research papers contains not more than two paragraphs and presents a brief summary of the work itself. Library Research Paper: Introduction This part describes the object of your work. Also, you should present in this part the reasons for choosing this very research paper topic and issue under consideration. Library Research Paper: Literature Review This chapter tells about possible works, which are connected to the chosen one. Try to present the works that not only support your research, but also contradict it. Library Research Papers: Methodology